We the People review: Netflix show produced by the Obamas harvests the power of music, animation to educate-Entertainment News , Firstpost
Though the primary aim of We The People is to introduce kids to the basics of civics, the series had the potential to explore so much.
Still from Episode 2 of We the People. Netflix
I have never watched Schoolhouse Rock or Free To Be You and Me, educational projects that creator Chris Nee cites as inspirations for Netflix’s We the People. Neither have I experienced a civics lesson so interactive and so hip as a student. Learning was strictly limited to prescribed NCERT textbooks and uncomfortably long classroom hours where the teacher droned on about endlessly.
The trailer of this new Netflix programme, backed by the Obamas, definitely piqued my curiosity. Nee harvests the combined power of music and animation to educate and entertain. The primary aim of We the People is to introduce kids to the basics of civics and instil a sense of patriotism. And although a 5-minute song can only convey limited information, the series had the scope to explore so much more.
R&B musician H.E.R sings about “active citizenship” in the first episode and how individual contributions can make a difference. The accompanying video shows a young Black woman in a not-so-well off suburb who involves herself in the uplift of her community. Her efforts to volunteer, petition and protest, do bear fruits, asserts the song and the animation. It’s the most inspiring, visually arresting vignette of the lot after poet Amanda Gorman’s “The Miracle of Morning”, a poem on fraternity, unity, and solidarity in trying times, that concludes the series. Janelle Monae reiterates the same messages in “Stronger.”
Still from Episode 1 of We the People. Netflix
In his trademark pop-rock fashion, Adam Lambert hops through the various Bill of Rights that the US constitution guarantees its citizens. Brandi Carlisle takes the folk-rock route in “Speak Your Mind”, a song about the First Amendment that promises free speech and dissent. Regardless of the song’s teachable moments, the lyrics, “There is only one wall built with wisdom/It’s the wall between church and the state”, did not sit well with me. There is something odd about the lyrics and the imagery juxtaposed against it, but I can’t quite put my finger on it.
Bebe Rexha tackles the subject of immigration, and how just about anyone regardless of their ethnicity and race can come to settle in the US. The video features animated caricatures of Padma Lakshmi (representing India), Eddie Van Halen (Netherlands), Albert Einstein (Germany), and so many others. The song does not hold much substance, it just relays that yes, the US is a melting pot of cultures and that we are all going to be one big happy family. The memory of Trump’s exclusionary immigration policy is still fresh despite the Joe Biden administration repealing it. For many, so are their struggles of assimilating with ease in American society. This episode also conveniently glosses over how arduous the process of gaining citizenship is by simply stating that taking an oath and passing a test is all it takes to make the cut.
Still from Episode 3 of We the People. Netflix
Cordae raps on taxes, their importance and how important they are to keep the country from falling apart, how they benefit each citizen, including those from lower-income backgrounds. He lists down how much of the taxes are allocated to scientific research, infrastructure and social security programs. My jaw almost dropped when I heard the alarmingly large percentage that the US uses for its military budget: “But 15 goes to defense and supplyin the war/Now if you asked me I’d say the numbers are shrewd.” But then, India came third in its military spending last year.
Still from Episode 4 of We the People. Netflix
The Hamilton flavour is brought to “Three Branches of Government” as Lin Manuel Miranda, Daveed Diggs, Alabama Shakes vocalist Brittany Howard, and Frozen songwriters Kristen Anderson-Lopez and Robert Lopez differentiate between the legislative, executive, and judiciary. It’s loud, chaotic and hurtles through the concepts, which could be confusing for younger audiences. Andra Day’s “All Rise” aims to explain the judiciary’s function, but the song is not so much informational. But Daron Nefcy’s animation captures how different judgements — some big, some monumental — throughout US history have impacted the social, political and cultural landscape.
We the People tries to relay the basics of a civics lesson without taking any sides. Not providing context on whether laws are enforced correctly, whether courts deliver unbiased judgements, whether the fundamental rights truly protect US citizens. Because the recurring news media coverage does not inspire much optimism as the series does.
We the People is streaming on Netflix.
